DRAMA KANNADA FULL MOVIE YOUTUBE MOVIE

So if we are able to increase the number of screens, then we will be able to reach a bigger audience. We are not able to reach small cities like Kustagi, Kolar, Chikkaballapur and theyРІР‚в„ўre also staying far from us. Suni : I feel like there has to be an increase in small screen theatres in more remote areas. In the next two or three years, itРІР‚в„ўll be great to see people becoming more aware of these things. People arenРІР‚в„ўt even thinking of taking an OTT subscription to watch a film. Someone even directly asked me to send them a YouTube link for them to watch. In some forum, people were discussing openly about downloading pirated films. Awareness of these various things one can do in the process is important. They mostly only see the actor and the director. A common audience has no idea of all the aspects and skills that go into filmmaking. After Gantumoote, I am interacting with eight different writers to see how I can work with them. Even if they do, no one on the project gets paid properly. For small films it is difficult to find producers. Mansore : In my words, if we are able to create an environment where a producer will make a profit on his investment without a film having a star, then everything will change. For the longest time, I have felt that we need to be independent with distribution. I think that system has to first be fixed. The business is calculated down to the point of if this is how much I invest, what are the different avenues to earn that back. If I am a producer, I will say I donРІР‚в„ўt want to not give money to a writer but where will I earn that from? That is why they are mostly cost-cutting. Pawan Kumar: I think the bigger problem is distribution and sales. That will be a development which will help more people to come up with interesting stories. When the story gets value, then a writer will get more attention too. There is no value for that story in itself. Today, when a director walks up to a producer, it is understood that I have come with my story. So, how producers value writers should change drastically. I believe a lot of people who currently have jobs in banks or IT, will take up writing as a serious career. People need to start believing that they can lead a life and depend on their writing, financially. Hemanth Rao: One important point that Tharun has mentioned is about payment to writers. Another problem is we donРІР‚в„ўt know where to find writers. The culture of bringing writers to a team has just begun. There are only two inspirations then - we either refer to life or look at another movie. Now, we write and direct films ourselves, which definitely takes a lot of time. Earlier, a film director would provide a visual interpretation of a script. They should be given more respect and more remuneration. Tharun Sudhir: Our industry needs more writers than directors. Kairam Vaashi: According to all of you, what is one change that the Kannada cinema industry needs or you would like to see? ThereРІР‚в„ўs a josh, that only films can give you.

DRAMA KANNADA FULL MOVIE YOUTUBE MOVIE

Then we start thinking we have to make a movie about this.

After all that tiredness and deciding to give up, suddenly something will strike your mind. Sometimes I want to just be done with it all.

The business and marketing aspects of it that come after will make you tired even more. I like to be in the learning process and I like to live in that process.

When the film is made and IРІР‚в„ўve watched it on the edit table, my work is done. I love the process of a film being made, right from creating a world around the story to fleshing out its details. Some kind of magic happens on the shooting set. We grew up watching all kinds of movies and stories.

Roopa Rao: I started my journey with the question of РІР‚СљwhyРІР‚Сњ - why films and why this story. When a film releases, I turn my chair around and only look at the audience to see how they are reacting. We reach so many people and have a space where we enjoy what we are doing. But, us filmmakers get to showcase our dreams. Suni : Everyone has a dream but only a few of them succeed. Usually, a writer-director comes from the idea that they want to make their point of view seen. Which one is a priority might vary from person to person. Another drive is that this is the business you know. That is why you become an artist, to share how you look at emotions and stories. One is the creative drive where you want to tell your point of view. Pawan Kumar: I think there are two drives, according to me. Kairam Vaashi: After all that you go through, right from the bureaucracy to the inevitable process post making a film, what still drives you to keep making films?

Drama kannada full movie youtube